![]() ![]() ![]() The systematic use of drones originated in instrumental music of ancient Southwest Asia, and spread north and west to Europe, east to India, and south to Africa. A pedal point may be a form of nonchord tone and thus required to resolve unlike a drone, or a pedal point may simply be considered a shorter drone, a drone being a longer pedal point. A drone on the same pitch as a melodic note tends to both hide that note and to bring attention to it by increasing its importance.Ī drone differs from a pedal tone or point in degree or quality. The drone is most often placed upon the tonic or dominant. Drone (both instrumental and vocal) can be placed in different ranges of the polyphonic texture: in the lowest part, in the highest part, or in the middle. A drone can be instrumental, vocal or both. It most often establishes a tonality upon which the rest of the piece is built. "Of all harmonic devices, it is not only the simplest, but probably also the most fertile."Ī drone effect can be achieved through a sustained sound or through repetition of a note. Α burden is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain. A drone may also be any part of a musical instrument used to produce this effect an archaic term for this is burden (bourdon or burdon) such as a "drone of a bagpipe", the pedal point in an organ, or the lowest course of a lute. A drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece.
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